“Barbenheimer” didn’t just work — it spun box office gold. The social media-fueled fusion of Greta Gerwig’s “Barbie” and Christopher Nolan’s “Oppenheimer” brought moviegoers back to the theaters in record numbers this weekend, vastly outperforming projections and giving a glimmer of hope to the lagging exhibition business, amid the sobering backdrop of strikes.

Warner Bros Pictures/Universal Pictures via AP
This combination of images shows promotional art for "Barbie," left, and "Oppenheimer."
Warner Bros.’ “Barbie” claimed the top spot with a massive $155 million in ticket sales from North American theaters from 4,243 locations, surpassing “The Super Mario Bros. Movie” (as well as every Marvel movie this year) as the biggest opening of the year and breaking the first weekend record for a film directed by a woman. Universal’s “Oppenheimer” also soared past expectations, taking in $80.5 million from 3,610 theaters in the U.S. and Canada, marking Nolan’s biggest non-Batman debut and one of the best-ever starts for an R-rated biographical drama.
It’s also the first time that one movie opened to more than $100 million and another movie opened to more than $80 million in the same weekend. When all is settled, it will likely turn out to be the fourth biggest box office weekend of all time with over $300 million industrywide. And all this in a marketplace that increasingly curved towards intellectual property-driven winner takes all.
The “Barbenheimer” phenomenon may have started out as good-natured competition between two aesthetic opposites, but, as many hoped, both movies benefited in the end. Internationally, “Barbie” earned $182 million from 69 territories, fueling a $337 million global weekend. “Oppenheimer” did $93.7 million from 78 territories, ranking above “Barbie” in India, for a $174.2 million global total.
The only real casualty was “Mission: Impossible: Dead Reckoning Part I,” which despite strong reviews and a healthy opening weekend fell 64% in weekend two. Overshadowed by the “Barbenheimer” glow as well as the blow of losing its IMAX screens to “Oppenheimer,” the Tom Cruise vehicle added $19.5 million, bringing its domestic total to $118.8 million.
“Barbenheimer” is not merely counterprogramming either. But while a certain section of enthusiastic moviegoers overlapped, in aggregate the audiences were distinct.
Women drove the historic “Barbie” opening, making up 65% of the audience, according to PostTrak, and 40% of ticket buyers were under the age of 25 for the PG-13 rated movie.
“It’s just a joyous time in the world. This is history in so many ways,” said Jeff Goldstein, Warner Bros.’ president of domestic distribution. “I think this marketing campaign is one for the ages that people will be talking about forever.”
“Oppenheimer” audiences meanwhile were 62% male and 63% over the age of 25, with a somewhat surprising 32% that were between the ages of 18 and 24.
Both “Barbie” and “Oppenheimer” scored well with critics with 90% and 94% on Rotten Tomatoes, respectively, and audiences who gave both films an A CinemaScore. And social media has been awash with reactions and “takes” all weekend – good, bad, problematic and everywhere in between – the kind of organic, event cinema, watercooler debate that no marketing budget can buy.
“The ‘Barbenheimer’ thing was a real boost for both movies,” Goldstein said. “It is a crowning achievement for all of us.”
“Oppenheimer” had the vast majority (80%) of premium large format screens at its disposal. Some 25 theaters in North America boasted IMAX 70mm screenings (Nolan’s preferred format), most of which were completely sold out all weekend — accounting for 2% of the total gross. Theaters even scrambled to add more to accommodate the demand including 1 a.m. and 6 a.m. screenings, which also sold out.
“Nolan’s films are truly cinematic events,” said Jim Orr, Universal’s president of domestic distribution.
IMAX showings alone made up 26% of the domestic gross (or $21.1 million) from only 411 screens and 20% of the global gross, and “Oppenheimer” will have at least a three-week run on those high-demand screens.
“This is a phenomenon beyond compare,” said Rich Gelfond, the CEO of IMAX, in a statement. “Around the world, we’ve seen sellouts at 4 a.m. shows and people travelling hours across borders to see ‘Oppenheimer’ in IMAX 70mm.”
This is the comeback weekend Hollywood has been dreaming of since the pandemic. There have been big openings and successes – “Spider-Man: No Way Home,” “Top Gun: Maverick,” “Avatar: The Way of Water” among them, but the fact that two movies are succeeding at the same time is notable.
But for now, it’s simply a positive story that could even continue for weeks to come.
“There could be a sequel next weekend,” said Paul Dergarabedian, the senior media analyst for Comscore. “The FOMO factor will rachet up because of this monumental box office event centered around the movie theater experience.”
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The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot
Silver Screen Collection // Getty Images
The 1960s was a banner decade for movies. From Western films and Disney animated movies to blockbuster musicals and the now-classic horror genre, the '60s were the advent of some of the most iconic films of the 20th century.
This pivotal decade in cinema launched the careers of stars like Audrey Hepburn, Sean Connery, Barbra Streisand, and Julie Andrews. Hollywood was rife with drama on and off screen, and the Civil Rights Movement was in full swing. Inspiration for a diverse range of stories and themes flourished. But many of these famous films have their own stories behind the scenes—sometimes even more interesting than what played out on screen.
For example, did you know that the first cinematic James Bond actor ended up hating the character? Do you know the reason why "never work with children or animals" is such a popular adage in the industry? How about the way that cars were "auditioned" for "The Love Bug?"
To offer a few answers to those questions and more, Stacker compiled a list containing 25 factoids from the top movies of the 1960s. These fun facts come from articles and interviews of the creative teams that brought them to life, as well as from sources like the Academy of Motion Picture Arts and Sciences, the Smithsonian, and IMDb.

Silver Screen Collection // Getty Images
The 1960s was a banner decade for movies. From Western films and Disney animated movies to blockbuster musicals and the now-classic horror genre, the '60s were the advent of some of the most iconic films of the 20th century.
This pivotal decade in cinema launched the careers of stars like Audrey Hepburn, Sean Connery, Barbra Streisand, and Julie Andrews. Hollywood was rife with drama on and off screen, and the Civil Rights Movement was in full swing. Inspiration for a diverse range of stories and themes flourished. But many of these famous films have their own stories behind the scenes—sometimes even more interesting than what played out on screen.
For example, did you know that the first cinematic James Bond actor ended up hating the character? Do you know the reason why "never work with children or animals" is such a popular adage in the industry? How about the way that cars were "auditioned" for "The Love Bug?"
To offer a few answers to those questions and more, Stacker compiled a list containing 25 factoids from the top movies of the 1960s. These fun facts come from articles and interviews of the creative teams that brought them to life, as well as from sources like the Academy of Motion Picture Arts and Sciences, the Smithsonian, and IMDb.

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The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot
Paramount Pictures // Getty Images
The part for "Breakfast at Tiffany's" protagonist Holly Golightly was originally intended for Marilyn Monroe. Author Truman Capote, who had written the novel of the same name, had sold the film rights to Paramount Studios and envisioned Monroe as Holly. She turned down the role, as she was advised by her acting coach that the character's party-girl persona would be bad for her image.
Ultimately, Audrey Hepburn took on the iconic role. When Hepburn was cast instead of Monroe, Capote said: "Paramount double-crossed me in every way and cast Audrey."
Paramount Pictures // Getty Images
The part for "Breakfast at Tiffany's" protagonist Holly Golightly was originally intended for Marilyn Monroe. Author Truman Capote, who had written the novel of the same name, had sold the film rights to Paramount Studios and envisioned Monroe as Holly. She turned down the role, as she was advised by her acting coach that the character's party-girl persona would be bad for her image.
Ultimately, Audrey Hepburn took on the iconic role. When Hepburn was cast instead of Monroe, Capote said: "Paramount double-crossed me in every way and cast Audrey."
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The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot
Universal Studios // Getty Images
Casting for Atticus Finch in "To Kill a Mockingbird" (1962) was competitive, but actor Gregory Peck ultimately got the role because he reminded author Harper Lee of her own father, after whom she had modeled the character. Lee regularly visited the film's set and gave Peck a watch that was used as a prop and belonged to her father after the film wrapped.
Universal Studios // Getty Images
Casting for Atticus Finch in "To Kill a Mockingbird" (1962) was competitive, but actor Gregory Peck ultimately got the role because he reminded author Harper Lee of her own father, after whom she had modeled the character. Lee regularly visited the film's set and gave Peck a watch that was used as a prop and belonged to her father after the film wrapped.
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The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot
Mirrorpix // Getty Images
Walt Disney himself approached Julie Andrews backstage while she was performing "Camelot" on Broadway and asked if she would be interested in the title role of "Mary Poppins." She confessed that she was three months pregnant, which could have interfered with the shoot—but Disney said he was willing to wait to start filming after the birth of her child.
Mirrorpix // Getty Images
Walt Disney himself approached Julie Andrews backstage while she was performing "Camelot" on Broadway and asked if she would be interested in the title role of "Mary Poppins." She confessed that she was three months pregnant, which could have interfered with the shoot—but Disney said he was willing to wait to start filming after the birth of her child.
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The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot
Bettmann // Getty Images
What would Shakespeare's works be without their iconic lines of dialogue? According to Olivia Hussey, who played Juliet, the 1968 film adaptation of "Romeo and Juliet" was filmed using Arriflex cameras, which were very loud. The film's dialogue later had to be recorded separately and synced with the rest of the film.
Bettmann // Getty Images
What would Shakespeare's works be without their iconic lines of dialogue? According to Olivia Hussey, who played Juliet, the 1968 film adaptation of "Romeo and Juliet" was filmed using Arriflex cameras, which were very loud. The film's dialogue later had to be recorded separately and synced with the rest of the film.
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The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot
Bettmann // Getty Images
For the horror film "Rosemary's Baby," director Roman Polanski instructed actor Mia Farrow to walk into traffic to film a scene. Polanski operated a hand-held camera, as no one else on set was willing to risk the dangerous stunt. To convince Farrow, Polanski reportedly told her, "Nobody will hit a pregnant woman," and Farrow went through with the stunt without incident.
Bettmann // Getty Images
For the horror film "Rosemary's Baby," director Roman Polanski instructed actor Mia Farrow to walk into traffic to film a scene. Polanski operated a hand-held camera, as no one else on set was willing to risk the dangerous stunt. To convince Farrow, Polanski reportedly told her, "Nobody will hit a pregnant woman," and Farrow went through with the stunt without incident.
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The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot
Bettmann // Getty Images
As surreal as the events in "The Birds" (1963) may be, they were inspired by real events. Director Alfred Hitchcock heard of a 1961 event where a mass bird attack occurred in Capitola, California. According to a report, seabirds were "dive-bombing" house windows and cars, even vomiting onto residents' lawns. To simulate this effect, the majority of the birds seen in the film are real, including trained crows and ravens, sea gulls, and sparrows.
Bettmann // Getty Images
As surreal as the events in "The Birds" (1963) may be, they were inspired by real events. Director Alfred Hitchcock heard of a 1961 event where a mass bird attack occurred in Capitola, California. According to a report, seabirds were "dive-bombing" house windows and cars, even vomiting onto residents' lawns. To simulate this effect, the majority of the birds seen in the film are real, including trained crows and ravens, sea gulls, and sparrows.
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The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot
Silver Screen Collection // Getty Images
Many millennials grew up with "The Parent Trap" starring Lindsay Lohan as two twins separated at birth, scheming to get their estranged parents back together, but it's actually a remake of a 1961 film starring Hayley Mills.
The film's original screenplay employed only a few trick photography shots of Mills in scenes with herself, but when Walt Disney saw how convincing the processed shots were, he requested that the script include more of these shots, eschewing the original plan of using a body double. In scenes where a body double is used, the actor playing the second twin is Susan Henning, who went uncredited.
Silver Screen Collection // Getty Images
Many millennials grew up with "The Parent Trap" starring Lindsay Lohan as two twins separated at birth, scheming to get their estranged parents back together, but it's actually a remake of a 1961 film starring Hayley Mills.
The film's original screenplay employed only a few trick photography shots of Mills in scenes with herself, but when Walt Disney saw how convincing the processed shots were, he requested that the script include more of these shots, eschewing the original plan of using a body double. In scenes where a body double is used, the actor playing the second twin is Susan Henning, who went uncredited.
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The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot
Donaldson Collection // Getty Images
In 1961's "West Side Story," actor Natalie Wood prerecorded all her songs, and the production team made the call on whether or not to use those recordings in the film. The filmmakers ultimately used singer Marni Nixon's voice instead, who was also the "ghost singer" for "The King and I" and "My Fair Lady." Nixon said Wood was reportedly not informed that her singing would not appear in the movie, much to Wood's dismay.
Donaldson Collection // Getty Images
In 1961's "West Side Story," actor Natalie Wood prerecorded all her songs, and the production team made the call on whether or not to use those recordings in the film. The filmmakers ultimately used singer Marni Nixon's voice instead, who was also the "ghost singer" for "The King and I" and "My Fair Lady." Nixon said Wood was reportedly not informed that her singing would not appear in the movie, much to Wood's dismay.
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The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot
United Archives // Getty Images
"The Jungle Book" features a cast of kooky animal characters, including four vultures who ally with Mowgli, the human child protagonist of the story. These characters were originally planned to be voiced by the Beatles and were designed to resemble the band members. They ultimately turned down the roles, and their planned song was rewritten as a barbershop quartet song. The Liverpool accents, however, remained.
United Archives // Getty Images
"The Jungle Book" features a cast of kooky animal characters, including four vultures who ally with Mowgli, the human child protagonist of the story. These characters were originally planned to be voiced by the Beatles and were designed to resemble the band members. They ultimately turned down the roles, and their planned song was rewritten as a barbershop quartet song. The Liverpool accents, however, remained.
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The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot
Keystone-France // Getty Images
"Lawrence of Arabia" included many real soldiers as extras, which inadvertently led to something else entirely. King Hussein of Jordan offered a brigade of his Arab Legion to the film and often visited the sets during filming. As a result of his visits, he fell in love with Antoinette Gardiner, a British secretary working on the film, and they married in 1961—a year before the film was released, styling her as Princess Muna al-Hussein.
Keystone-France // Getty Images
"Lawrence of Arabia" included many real soldiers as extras, which inadvertently led to something else entirely. King Hussein of Jordan offered a brigade of his Arab Legion to the film and often visited the sets during filming. As a result of his visits, he fell in love with Antoinette Gardiner, a British secretary working on the film, and they married in 1961—a year before the film was released, styling her as Princess Muna al-Hussein.
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The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot
Screen Archives // Getty Images
The iconic heart-shaped red sunglasses shown on the movie poster and other publicity materials for Stanley Kubrick's controversial adaptation of Vladimir Nabokov's "Lolita" never actually make an appearance in the film. The character of Dolores Haze—nicknamed Lolita and played by Sue Lyon—wears cat-eye sunglasses. Despite this, heart-shaped sunglasses have become synonymous with the trope of a coquettish young girl.
Screen Archives // Getty Images
The iconic heart-shaped red sunglasses shown on the movie poster and other publicity materials for Stanley Kubrick's controversial adaptation of Vladimir Nabokov's "Lolita" never actually make an appearance in the film. The character of Dolores Haze—nicknamed Lolita and played by Sue Lyon—wears cat-eye sunglasses. Despite this, heart-shaped sunglasses have become synonymous with the trope of a coquettish young girl.
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The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot
Sunset Boulevard // Getty Images
James Bond was introduced to general movie audiences in 1962 with "Dr. No," and half a dozen total Bond films premiered throughout the decade. Although Sean Connery originated the titular character and played the role in six official films, Connery said he grew tired of Bond by the 1971 film "Diamonds Are Forever." "I have always hated that damned James Bond," Connery reportedly said. "I'd like to kill him."
Sunset Boulevard // Getty Images
James Bond was introduced to general movie audiences in 1962 with "Dr. No," and half a dozen total Bond films premiered throughout the decade. Although Sean Connery originated the titular character and played the role in six official films, Connery said he grew tired of Bond by the 1971 film "Diamonds Are Forever." "I have always hated that damned James Bond," Connery reportedly said. "I'd like to kill him."
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The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot
Haynes Archive/Popperfoto // Getty Images
Alfred Hitchcock's "Psycho" broke boundaries for a variety of reasons, but one of them may be unexpected. The thriller was the first American movie to feature a toilet on screen—and to even show it flushing. Censors tried to cut the scene, somewhat taboo at the time, but the shot was kept in as it was integral to the plot.
Haynes Archive/Popperfoto // Getty Images
Alfred Hitchcock's "Psycho" broke boundaries for a variety of reasons, but one of them may be unexpected. The thriller was the first American movie to feature a toilet on screen—and to even show it flushing. Censors tried to cut the scene, somewhat taboo at the time, but the shot was kept in as it was integral to the plot.
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The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot
Hulton Archive // Getty Images
The comedy trio known as the Three Stooges created nearly 200 movies together, 11 of which premiered in the 1960s. Their signature insult—jabbing at someone's eyes—was born from a real incident between the three. During a card game, Shemp was convinced that Larry was cheating, so he jumped up and poked him in the eyes. Moe decided to incorporate the move as slapstick into their act.
Hulton Archive // Getty Images
The comedy trio known as the Three Stooges created nearly 200 movies together, 11 of which premiered in the 1960s. Their signature insult—jabbing at someone's eyes—was born from a real incident between the three. During a card game, Shemp was convinced that Larry was cheating, so he jumped up and poked him in the eyes. Moe decided to incorporate the move as slapstick into their act.
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The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot
United Archives // Getty Images
Before stars like Beyoncé created visual albums to express their music through multimedia, there was "Yellow Submarine." The animated cult classic by the Beatles was colorful, experimental, and quintessential '60s in its style. However, the band members did not voice their own characters, except during musical numbers, supposedly due to their unavailability.
John Clive plays John Lennon, Geoffrey Hughes plays Paul McCartney, Peter Batten (who went uncredited) plays George Harrison, and Paul Angelis plays Ringo Starr.
United Archives // Getty Images
Before stars like Beyoncé created visual albums to express their music through multimedia, there was "Yellow Submarine." The animated cult classic by the Beatles was colorful, experimental, and quintessential '60s in its style. However, the band members did not voice their own characters, except during musical numbers, supposedly due to their unavailability.
John Clive plays John Lennon, Geoffrey Hughes plays Paul McCartney, Peter Batten (who went uncredited) plays George Harrison, and Paul Angelis plays Ringo Starr.
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The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot
Silver Screen Collection // Getty Images
"Cleopatra" (1963) was one of the most expensive movies ever made; its $44 million budget is equivalent to more than $400 million today. Of that $44 million, the production included the construction of 79 sets and 26,000 costumes. Elizabeth Taylor's 65 costumes totaled $194,800—the highest-ever budget for a single screen actress. One costume was a dress made from 24-carat gold cloth.
Silver Screen Collection // Getty Images
"Cleopatra" (1963) was one of the most expensive movies ever made; its $44 million budget is equivalent to more than $400 million today. Of that $44 million, the production included the construction of 79 sets and 26,000 costumes. Elizabeth Taylor's 65 costumes totaled $194,800—the highest-ever budget for a single screen actress. One costume was a dress made from 24-carat gold cloth.
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The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot
Silver Screen Collection // Getty Images
"Butch Cassidy and the Sundance Kid" features a series of bike stunts—nearly all performed by Paul Newman. The original stunt actor was unable to stay upright on the bike, so Newman gamely shot them instead.
Co-star Robert Redford also wanted to do all of his own stunts, but Newman objected out of concern for his safety. In response to the scene where Sundance jumps onto the roof of a moving train and runs along the tops of it, Newman allegedly said, "I don't want any heroics around here. I don't want to lose a co-star."
Silver Screen Collection // Getty Images
"Butch Cassidy and the Sundance Kid" features a series of bike stunts—nearly all performed by Paul Newman. The original stunt actor was unable to stay upright on the bike, so Newman gamely shot them instead.
Co-star Robert Redford also wanted to do all of his own stunts, but Newman objected out of concern for his safety. In response to the scene where Sundance jumps onto the roof of a moving train and runs along the tops of it, Newman allegedly said, "I don't want any heroics around here. I don't want to lose a co-star."
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The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot
Bettmann // Getty Images
"Doctor Dolittle" (1967) used more than 1,200 live animals during filming, leading to a variety of spoofs and goofs. A parrot named Polynesia learned to yell "cut!"—which greatly confused actor Rex Harrison, who was performing a musical number as the eponymous character, and created a humorous misunderstanding on set.
Bettmann // Getty Images
"Doctor Dolittle" (1967) used more than 1,200 live animals during filming, leading to a variety of spoofs and goofs. A parrot named Polynesia learned to yell "cut!"—which greatly confused actor Rex Harrison, who was performing a musical number as the eponymous character, and created a humorous misunderstanding on set.
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The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot
Keith Hamshere // Getty Images
The film adaptation of "2001: A Space Odyssey" was an ambitious movie to write, produce, and shoot, and director Stanley Kubrick wanted as much scientific accuracy as possible. Those who served as consultants included experts from NASA and IBM, science-fiction writer Isaac Asimov, and Carl Sagan.
However, Sagan and Kubrick's relationship was reportedly short-lived. Kubrick, Sagan, and the original "2001" novel author Arthur C. Clarke met for dinner to discuss Sagan's cosmology expertise—and it did not go well. Kubrick allegedly told Clarke to "get rid of" Sagan, claiming he didn't want to see him again.
Keith Hamshere // Getty Images
The film adaptation of "2001: A Space Odyssey" was an ambitious movie to write, produce, and shoot, and director Stanley Kubrick wanted as much scientific accuracy as possible. Those who served as consultants included experts from NASA and IBM, science-fiction writer Isaac Asimov, and Carl Sagan.
However, Sagan and Kubrick's relationship was reportedly short-lived. Kubrick, Sagan, and the original "2001" novel author Arthur C. Clarke met for dinner to discuss Sagan's cosmology expertise—and it did not go well. Kubrick allegedly told Clarke to "get rid of" Sagan, claiming he didn't want to see him again.
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The ‘Barbie’ bonanza continues at the box office, ‘Oppenheimer’ holds the No. 2 spot
Keystone // Getty Images
During the preproduction of "The Love Bug" (1968), a casting call was held for the car that would eventually "play" Herbie. Several small cars were set up by the studio's commissary and employees were encouraged to interact with them as they went by. Everybody patted the Volkswagen.
"They didn't pat the other cars, which was indicative. The VW had a personality of its own that reached out and embraced people. Thus, we found our star," producer and writer Bill Walsh said.
Story editing by Chris Compendio. Copy editing by Tim Bruns. Photo selection by Clarese Moller.
Keystone // Getty Images
During the preproduction of "The Love Bug" (1968), a casting call was held for the car that would eventually "play" Herbie. Several small cars were set up by the studio's commissary and employees were encouraged to interact with them as they went by. Everybody patted the Volkswagen.
"They didn't pat the other cars, which was indicative. The VW had a personality of its own that reached out and embraced people. Thus, we found our star," producer and writer Bill Walsh said.
Story editing by Chris Compendio. Copy editing by Tim Bruns. Photo selection by Clarese Moller.